{"id":10172,"date":"2016-10-19T19:39:11","date_gmt":"2016-10-19T19:39:11","guid":{"rendered":"http:\/\/nlpieth-patlidar.savviihq.com\/product\/hansje-van-halem-3\/"},"modified":"2016-12-07T12:14:57","modified_gmt":"2016-12-07T12:14:57","slug":"hansje-van-halem-3","status":"publish","type":"product","link":"https:\/\/pietheineek.nl\/en\/product\/hansje-van-halem-3","title":{"rendered":"Hansje van Halem"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>Dutch graphic designer Hansje van Halem (1978) started her Amsterdam-based studio in 2003. Specialised in typography and book design, she creates alphabets, textures and patterns, both digitally and manually. Hansje keeps track of a dizzying array of commissioned, applied, self-generated, rejected and unfinished sketches, type drawings, motifs and experiments (both successes and failures). Unused material often becomes a source from which Hansje draws further inspiration.<\/p>\n<p>\u201cDrawing (type) experiments started as something I\u2019d do in between deadlines for book designs. I called it a hobby. I started to receive commissioned assignments based upon the detailed alphabet drawings. Drawing has more to do with systems, structures and textures than it does with letter shapes. Making a collection of letters seemed like a legitimate way to spend my time: an investment in a collection of drawings that I could later on use as content. The tension between a systematic approach, legibility and (ir)regularity are appealing to me. I find it equally interesting to only draw the textures and end up with patterns. These patterns are often used as end papers in hardcover books. I find repetitive work soothing. It calms me down and allows me some time to think about other things while being productive at the same time.\u201d<\/p>\n","protected":false},"author":4,"featured_media":13472,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"product_brand":[],"product_cat":[167,177],"product_tag":[],"class_list":{"0":"post-10172","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-gallery","7":"product_cat-artists","9":"first","10":"instock","11":"shipping-taxable","12":"product-type-simple"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hansje van Halem &#8226; PIET HEIN EEK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pietheineek.nl\/en\/product\/hansje-van-halem-3\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hansje van Halem &#8226; PIET HEIN EEK\" \/>\n<meta property=\"og:description\" content=\"Dutch graphic designer Hansje van Halem (1978) started her Amsterdam-based studio in 2003. Specialised in typography and book design, she creates alphabets, textures and patterns, both digitally and manually. Hansje keeps track of a dizzying array of commissioned, applied, self-generated, rejected and unfinished sketches, type drawings, motifs and experiments (both successes and failures). Unused material often becomes a source from which Hansje draws further inspiration. \u201cDrawing (type) experiments started as something I\u2019d do in between deadlines for book designs. I called it a hobby. I started to receive commissioned assignments based upon the detailed alphabet drawings. Drawing has more to do with systems, structures and textures than it does with letter shapes. Making a collection of letters seemed like a legitimate way to spend my time: an investment in a collection of drawings that I could later on use as content. The tension between a systematic approach, legibility and (ir)regularity are appealing to me. 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