{"id":10171,"date":"2016-10-19T19:39:44","date_gmt":"2016-10-19T19:39:44","guid":{"rendered":"http:\/\/nlpieth-patlidar.savviihq.com\/product\/tokihiro-sato-3\/"},"modified":"2023-11-27T16:03:05","modified_gmt":"2023-11-27T16:03:05","slug":"tokihiro-sato-3","status":"publish","type":"product","link":"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3","title":{"rendered":"Tokihiro Sato"},"content":{"rendered":"

\"\"<\/a><\/p>\n

Tsukudajima 1991_2017
\nTokihiro Sato
\n90 x 150 cm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

Akihabara 1992_2017
\nTokihiro Sato
\n90 x 150 cm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Camera Lucida, Tsuruoka” #33, 2015
\nTokihiro Sato
\n30 x 38 cm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Camera Lucida, Tsuruoka” #8, 2015
\nTokihiro Sato
\n30 x 38 cm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Camera Lucida, Tsuruoka” #37, 2015
\nTokihiro Sato
\n30 x 38 cm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Camera Lucida, Tsuruoka” #4, 2015
\nTokihiro Sato
\n30 x 38 cm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Camera Lucida, Tsuruoka” #34, 2015
\nTokihiro Sato
\n30 x 38 cm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Sakura on Sakura” #12, 2018
\nTokihiro Sato
\n1118 x 1615 mm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Sakura on Sakura” #16, 2018
\nTokihiro Sato
\n1118 x 1615 mm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Sakura on Sakura” #24, 2018
\nTokihiro Sato
\n1118 x 1615 mm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"\"<\/a><\/p>\n

“Sakura on Sakura” #6, 2018
\nTokihiro Sato
\n1118 x 1615 mm
\nPigmented ink-jet print, ed. 12
\nP.O.R.<\/p>\n

\"347_-100mm\"<\/p>\n

347 Hattachi, 1998
\nTokihiro Sato
\n1495 mm x 1835 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alpsa10-100mm\"<\/p>\n

In the Alps #10, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alpsa6100mm\"<\/p>\n

In the Alps #6, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"kesennuma-100mm\"<\/p>\n

Kesennuma, 2013
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"kyotango3-100mm\"<\/p>\n

Kyotango #3, 2013
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"musenyama2-100mm\"<\/p>\n

Musenyama #2, 2013
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"nikko13-100mm\"<\/p>\n

Nikko ’13, 2013
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"sapporo-1-100mm\"<\/p>\n

Sapporo #1, 2000
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"sapporo2-100mm-lighter\"<\/p>\n

Sapporo #2, 2000
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"shirakami-7-100mm\"<\/p>\n

Shirakami #7, 2008
\nTokihiro Sato
\n1495 mm x 1835 mm (zonder lijst)
\nInkt-jet kleurendruk
\nP.O.R.<\/p>\n

\"shirakami2-100mm\"<\/p>\n

Shirakami #2, 2008
\nTokihiro Sato
\n1495 mm x 1835 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"shirakami3-100mm\"<\/p>\n

Shirakami #3, 2008
\nTokihiro Sato
\n1495 mm x 1835 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"shirakami4-100mm\"<\/p>\n

Shirakami #4, 2008
\nTokihiro Sato
\n1495 mm x 1835 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"shirakami8-100mm\"<\/p>\n

Shirakami #8, 2008
\nTokihiro Sato
\n1495 mm x 1835 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"shirakami9-100mm\"<\/p>\n

Shirakami #9, 2008
\nTokihiro Sato
\n1495 mm x 1835 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"shirakami10-100mm\"<\/p>\n

Shirakami #10, 2008
\nTokihiro Sato
\n1495 mm x 1835 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"22-100mm\"<\/p>\n

No. 22, 1998
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"272-100mm\"<\/p>\n

Koto-ku Aomi #272, 1996
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nPigmented ink-jet print
\nP.O.R.<\/p>\n

\"favoriteplace1-700px\"<\/p>\n

Favoriteplace #1, 2005
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"favoriteplace2-100mm\"<\/p>\n

Favoriteplace #2, 2005
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alps-4-100mm\"<\/p>\n

In the Alps #4, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alps2-100mm\"<\/p>\n

In the Alps #2, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alpsao-100mm\"<\/p>\n

In the Alps #9, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alpsay-100mm\"<\/p>\n

In the Alps #8, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alpsa5-100mm\"<\/p>\n

In the Alps #5, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n

\"in-the-alpsa7-100mm\"<\/p>\n

In the Alps #7, 2015
\nTokihiro Sato
\n1117 mm x 1440 mm (frame not included)
\nColoured ink-jet print
\nP.O.R.<\/p>\n","protected":false},"excerpt":{"rendered":"

 <\/p>\n

Tokihiro Sato (Sakata, 1957) was educated at the Tokyo University of the Arts where he studied sculpture. During his studies, like most sculptors, he started creating material objects. Gradually he developed the need to record in his work the action itself. He then realized that it was not possible to make a sculpture using the traditional means. Photography was the only way to make the sculptural process visible and tangible.<\/p>\n

His works should therefore not be seen as photographs, but more as sculptures that are a result of his activities. First, Sato started to create images using materials that are normally not visible to us: light and atmosphere. Later on, with making new works and using different techniques, he became more and more passive while creating the image. The works, in which universal existence is an important and recurrent theme, traces of Sato\u2019s background as a sculptor can be found. Sato wants the viewers to become aware of this.<\/p>\n

Whereas in his earlier work Sato basically used analogue cameras and made images with a slow shutter speed in a carefully chosen arrangement, he now also focuses on digital photography in combination with old techniques and tools. A surprising new development. With digital photography, the result is immediately visible and volatility and coincidence become an important aspect in his work.<\/p>\n

Sato\u2019s art has been featured in more than 50 solo exhibitions and in twice as many group exhibitions, mainly in Asia, but his work has also been exhibited in North-American galleries and museums. His work is part of 16 Japanese museum collections, including the Tokyo Metropolitan Museum of Photography and also in the collections of museums such as the Guggenheim in New York, The Art Institute of Chicago and the Museum of Contemporary Art in Los Angeles.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"author":1,"featured_media":36418,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inline_featured_image":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":""},"product_brand":[],"product_cat":[167,177],"product_tag":[],"class_list":{"0":"post-10171","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-gallery","7":"product_cat-artists","9":"first","10":"instock","11":"shipping-taxable","12":"product-type-simple"},"yoast_head":"\nTokihiro Sato • PIET HEIN EEK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tokihiro Sato • PIET HEIN EEK\" \/>\n<meta property=\"og:description\" content=\"  Tokihiro Sato (Sakata, 1957) was educated at the Tokyo University of the Arts where he studied sculpture. During his studies, like most sculptors, he started creating material objects. Gradually he developed the need to record in his work the action itself. He then realized that it was not possible to make a sculpture using the traditional means. Photography was the only way to make the sculptural process visible and tangible. His works should therefore not be seen as photographs, but more as sculptures that are a result of his activities. First, Sato started to create images using materials that are normally not visible to us: light and atmosphere. Later on, with making new works and using different techniques, he became more and more passive while creating the image. The works, in which universal existence is an important and recurrent theme, traces of Sato\u2019s background as a sculptor can be found. Sato wants the viewers to become aware of this. Whereas in his earlier work Sato basically used analogue cameras and made images with a slow shutter speed in a carefully chosen arrangement, he now also focuses on digital photography in combination with old techniques and tools. A surprising new development. With digital photography, the result is immediately visible and volatility and coincidence become an important aspect in his work. Sato\u2019s art has been featured in more than 50 solo exhibitions and in twice as many group exhibitions, mainly in Asia, but his work has also been exhibited in North-American galleries and museums. His work is part of 16 Japanese museum collections, including the Tokyo Metropolitan Museum of Photography and also in the collections of museums such as the Guggenheim in New York, The Art Institute of Chicago and the Museum of Contemporary Art in Los Angeles.      \" \/>\n<meta property=\"og:url\" content=\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3\" \/>\n<meta property=\"og:site_name\" content=\"PIET HEIN EEK\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/PietHeinEek\/\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-27T16:03:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2016\/10\/TS-1024.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:site\" content=\"@pietheineek\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3\",\"url\":\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3\",\"name\":\"Tokihiro Sato • PIET HEIN EEK\",\"isPartOf\":{\"@id\":\"https:\/\/pietheineek.nl\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3#primaryimage\"},\"image\":{\"@id\":\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3#primaryimage\"},\"thumbnailUrl\":\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2016\/10\/TS-1024.jpg\",\"datePublished\":\"2016-10-19T19:39:44+00:00\",\"dateModified\":\"2023-11-27T16:03:05+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3#primaryimage\",\"url\":\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2016\/10\/TS-1024.jpg\",\"contentUrl\":\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2016\/10\/TS-1024.jpg\",\"width\":1024,\"height\":1024,\"caption\":\"Foto: Ruud Balk\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/pietheineek.nl\/en\/home\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Shop\",\"item\":\"https:\/\/pietheineek.nl\/en\/shop\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Tokihiro Sato\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/pietheineek.nl\/#website\",\"url\":\"https:\/\/pietheineek.nl\/\",\"name\":\"PIET HEIN EEK\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/pietheineek.nl\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/pietheineek.nl\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/pietheineek.nl\/#organization\",\"name\":\"PIET HEIN EEK\",\"url\":\"https:\/\/pietheineek.nl\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/pietheineek.nl\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2023\/10\/PIET_HEIN_EEK_LOGO_2021.svg\",\"contentUrl\":\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2023\/10\/PIET_HEIN_EEK_LOGO_2021.svg\",\"caption\":\"PIET HEIN EEK\"},\"image\":{\"@id\":\"https:\/\/pietheineek.nl\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/PietHeinEek\/\",\"https:\/\/x.com\/pietheineek\",\"https:\/\/www.instagram.com\/piet_hein_eek\/\",\"https:\/\/nl.pinterest.com\/pietheineek\/\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Tokihiro Sato • PIET HEIN EEK","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/pietheineek.nl\/en\/product\/tokihiro-sato-3","og_locale":"en_US","og_type":"article","og_title":"Tokihiro Sato • PIET HEIN EEK","og_description":"  Tokihiro Sato (Sakata, 1957) was educated at the Tokyo University of the Arts where he studied sculpture. 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Whereas in his earlier work Sato basically used analogue cameras and made images with a slow shutter speed in a carefully chosen arrangement, he now also focuses on digital photography in combination with old techniques and tools. A surprising new development. With digital photography, the result is immediately visible and volatility and coincidence become an important aspect in his work. Sato\u2019s art has been featured in more than 50 solo exhibitions and in twice as many group exhibitions, mainly in Asia, but his work has also been exhibited in North-American galleries and museums. 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