{"id":23129,"date":"2016-06-28T10:54:27","date_gmt":"2016-06-28T10:54:27","guid":{"rendered":"https:\/\/pietheineek.nl\/?p=23129"},"modified":"2017-09-02T10:54:56","modified_gmt":"2017-09-02T10:54:56","slug":"13-january-2012-stable-lamps-for-marc-mulders","status":"publish","type":"post","link":"https:\/\/pietheineek.nl\/en\/news\/13-january-2012-stable-lamps-for-marc-mulders","title":{"rendered":"13 January 2012 &#8211; Stable lamps for Marc Mulders"},"content":{"rendered":"<p>Almost immediately after Marc set up shop in his studio, he had the newly installed brand-new fluorescent lights removed. They were a continuous eyesore and simply could not be accepted just because they produced light, not to mention the fact that the colour of the lighting left much to be desired. It\u2019s the same as with plastic window frames; they\u2019re low maintenance but ugly from day one. Incidentally, I expect that, one day, a plastic window frame will be designed that looks like a plastic window frame, instead of trying to imitate wood or steel, a much more acceptable compromise. But, apparently, both window frame designers and users are not yet ready for that.\u00a0<\/p>\n<p> Since it was only possible to paint during the daytime, workdays during the winter would be quite short. So there needed to be some kind of light in the shed. What better solution than a stable lamp on a cord suspended from the ceiling from a hook? At any rate, it looks like a painting in itself and the first evening experiences were positive. The best part about this plan is that you can hang the lights higher, lower, closer or further away from the work. What more could you ask for? Of course, the user has to either endure or embrace the dishevelled look.\u00a0\u00a0<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-23126\" src=\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2017\/09\/Licht.jpg\" alt=\"\" width=\"342\" height=\"256\" srcset=\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2017\/09\/Licht.jpg 567w, https:\/\/pietheineek.nl\/wp-content\/uploads\/2017\/09\/Licht-300x225.jpg 300w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/>\u00a0 \u00a0<img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-23124\" src=\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2017\/09\/Donker.jpg\" alt=\"\" width=\"342\" height=\"256\" srcset=\"https:\/\/pietheineek.nl\/wp-content\/uploads\/2017\/09\/Donker.jpg 567w, https:\/\/pietheineek.nl\/wp-content\/uploads\/2017\/09\/Donker-300x225.jpg 300w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Almost immediately after Marc set up shop in his studio, he had the newly installed brand-new fluorescent lights removed. They were a continuous eyesore and simply could not be accepted [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":23123,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","footnotes":""},"categories":[176],"tags":[],"class_list":["post-23129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>13 January 2012 - Stable lamps for Marc Mulders &#8226; PIET HEIN EEK<\/title>\n<meta name=\"description\" content=\"Piet Hein Eek (1967) graduated from the Design Academy in Eindhoven (NL) in 1990 with his classic scrap wood cupboard. The most significant factor in Eek&#039;s career has been the creation of a world that embodies the entire process, from idea to consumer. This has proved to be an exceptional way of producing since it is quite rare to both design and produce furniture &#039;under the same roof&#039; in countries with high labour costs. Each product is designed with a focus on the material, techniques and craftsmanship required to make it. In 2010, Piet Hein Eek moved his company from Geldrop to a former Philips factory in Eindhoven. The most important part of the company is the production facility (wood, metal, ceramics upholstery and cartonnage) which is located in the heart of the building. The transparency of the building gives visitors insight into the whole production process. The concept of offering a total experience starts with the showroom and the production processes but also includes a restaurant, an art gallery, rented studios, a chip shop, a hairdresser and from October 2020 there will also be a hotel. Eek has worked together with architect Iggie Dekkers since 2015, designing a range of houses and undertaking architectural redevelopments and other construction projects. 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The most significant factor in Eek's career has been the creation of a world that embodies the entire process, from idea to consumer. This has proved to be an exceptional way of producing since it is quite rare to both design and produce furniture 'under the same roof' in countries with high labour costs. Each product is designed with a focus on the material, techniques and craftsmanship required to make it. In 2010, Piet Hein Eek moved his company from Geldrop to a former Philips factory in Eindhoven. The most important part of the company is the production facility (wood, metal, ceramics upholstery and cartonnage) which is located in the heart of the building. The transparency of the building gives visitors insight into the whole production process. The concept of offering a total experience starts with the showroom and the production processes but also includes a restaurant, an art gallery, rented studios, a chip shop, a hairdresser and from October 2020 there will also be a hotel. Eek has worked together with architect Iggie Dekkers since 2015, designing a range of houses and undertaking architectural redevelopments and other construction projects. 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